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They reflect the young horror of where and how we live but, in their songs at least, they face the problems with an irrepressible intuitive sense that makes the best pop of any time." Record Mirror 's Daniela Soave said of the record, "Full of drama and numerous layers, it conjures up many images, so much so that it could almost be a film soundtrack. warmer than your so-called 'warm' bands, your Springsteens and your Parkers could ever be.
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Dave McCullough of Sounds awarded the album a full five stars, asserting, " are a youth-mirror more valuable than any Street-Chic punk outfit I can imagine. Organisation met with largely positive reviews.
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Reception Professional ratings Review scores It features a photograph by Richard Nutt of the cloud-covered peak of Marsco in the Red Cuillin hills, on the Isle of Skye.
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Īs with all of OMD's early album covers, the artwork was designed by Peter Saville Associates. The record's title is a homage to the band Organisation, a precursor to Kraftwerk. "VCL XI" was the name of McCluskey and Humphreys' short-lived, pre-OMD group, which itself was named after a valve on the back of Kraftwerk's Radio-Activity album (the name of the valve is written "VCL 11" on the Radio-Activity sleeve).
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McCluskey's father granted the band access to the site to sample sounds from the machinery a diesel pump forms the rhythmic opening of "Stanlow". OMD cherished the view of the refinery lit up at night, often observing it when returning from tours. "Stanlow" was written about the Stanlow Refinery in Ellesmere Port, Cheshire, where McCluskey's father and sister worked. "Promise" features Humphreys' first lead vocal, and represents his first solo composition on an OMD album. OMD's arrangement is radically different from that of previous versions. The track began as an original composition, but McCluskey found himself singing the words to "The More I See You" over the song, which morphed into a cover version. " The More I See You" is a cover of a song written by Mack Gordon and Harry Warren in 1945, and popularised by Chris Montez in 1966. "The Misunderstanding" is a holdover from the Id. The song was written at the same time as the band's debut album, as was "Motion and Heart", which was considered as a second single. Sole single "Enola Gay" had little in common with the downbeat feel of the rest of the record, despite its bleak subject matter. Malcolm Holmes, who had drummed for precursor outfit the Id and provided session musicianship for OMD (notably on "Julia's Song", from the group's debut album), was recruited as a full-time band member, replacing the TEAC tape recorder named " Winston". McCluskey handled the majority of the songwriting, as Humphreys devoted more time to his relationship with California-based Maureen Udin. OMD's compositions were influenced by Joy Division's moody sound, with "Statues" being inspired by Curtis himself the record also drew from krautrock influences. The band had been Factory label-mates, and had played many gigs with Manchester group Joy Division, whose frontman Ian Curtis died by suicide during the writing of the album. Organisation features a darker, more melancholic tone than OMD's previous work. We were young and didn't understand the recording process and he guided us and pushed us – he was sensitive to our more esoteric, experimental side." Additional recording was completed at Advision, London, and The Manor, Shipton-on-Cherwell. This marked the first time the group had worked with a producer keyboardist Paul Humphreys said, "We learned a lot from. They later moved on to Ridge Farm in Rusper to record vocals and additional instrumentation, working with Mike Howlett (former bass player of Gong). Dindisc requested a new album before Christmas singer Andy McCluskey recalled, "We were too naive to disagree." Backing tracks were recorded at the band's Gramophone Suite in Liverpool. OMD wrote the bulk of Organisation in June and July of 1980. Much of Organisation was recorded at Ridge Farm, Rusper, with assistance from producer Mike Howlett